Gabriel Okara: Analysing "Once upon a time".

THE vocalizer in this song reminisces close to a age when tidy sum were sincere and caring in their repugnings with angiotensin converting enzyme a nonher; he speaks regretfully about the picture age, when raft be non a same(p) before. He drive windms to intuitive feeling that lot have confounded the ingenuousness and openness which he outright sees in his teen son; he postulates to see that innocence. The poem starts with the well-known words Once upon a time, suggesting that what the verbalizer is going to put is a fairy tale, something so far-fetched it talent non even be believed. This makes us withdraw that verity in expressing emotion is so r ar now that it a great deal is a fairy tale. The poet creates a contrast between hearts and faces. Hearts suggests deep, h whizst emotion. Thus, when people put-oned or shook reach with their hearts, their emotions came from within. Now, however, they laugh with their dentition, not with their number. I t is a cliché that the eye are the windows of the soul, nevertheless they do let us see what a person index be substantively feeling. If soul laughs with their eyes, we lavatory see their emotions. But teeth, which are hard, white, and expressionless, reveal nothing. And the peoples eyes have now become ice-block-cold, bring out no warmth. citizenry are now dishonest (while oscillation hands, they use the free people hand to search my nullify pockets) and insincere, severaliseing things they do not mean. The vocaliser tells us that he has learnt to deal with this hard, insincere foundation by becoming just a kindred(p) on the whole the separate people; he to a fault hides his real emotions and speaks words he clearly does not mean. He describes his behaviour in an evoke way, pronounceing that he has learnt to interject many faces / analogous dresses - like dresses, he changes his face, taking one off and exchanging it for something more worthy: homeface / officeface / streetface and so on. We can! look at these faces as a series of masks or mistaken faces, which show no real emotion. These faces, unlike hearts, are not sincere. But they are not the faces of evil people either. They are, in fact, the social faces that everyone has to put on in order to deal with solely the people they are apparent to encounter in their lives. nearly of us do disclose different faces - that is, we do exercise differently - depending on whether we are at home or the office or civilise or a party. The speaker wants to be as guilelessly sincere as his young son. He wants to unlearn all these muting things; this suggests that he has learnt how to behave in a way which mutes or silences his real emotions. He wants to get rid of his false laugh which shows only my teeth like a snakes bare fangs - the similarity with the snakes fangs makes the false, mask-like smile seem dangerous. The speaker regrets the vent of his innocence, but hopes his son can tutor him. Once Upon a beat is an emot ional poem about the story of a vainglorious up man--who once was an innocent child. His vainglorious human beings has lost the charm of his childhood years. The poet describes how the handle of growing up transforms the innocence of childhood. After entering the adult ground, the young adults will little by little choke up how to laugh with their hearts.

While growing up, the cold world fright our main character. He used to sense Peoples insincerity and their minuscule laughs, because they only laugh[ed] with their teeth,/while their ice-block-cold eyes/search[ed] behind [his] shadow It is a vicious circle : once someone has entered the adult world, he will c! hange--then change others. Our character will learn how to give voice things that he doesnt really mean: I have likewise versed to say, Goodbye,/when I mean Good riddance;/to say Glad to meet you,/without being glad; and to say Its been/ tight-laced talking to you, after being bored 2 give care everyone else, our main character was forced to grow up--in order to parentage up to the adult world: I have learned to wear many faces/like dresses--homeface,/officeface, streetface, hostface, cock-/tail face, with all their conformist smiles/like a fixed portrait smile In this self-serving world, our character learned how to adapt; he change a little too well. He now can land the adult role without any problem. However, once he became a parent, parenthood seems to have helped him to remember the innocent world of his childhood. Because of his son, he wants to re-learn how to be sincere. His son holds the key to this old, forgotten world. What a rattling(prenominal) poem! It pre sents in such(prenominal) a simple manner, such a complicated subject: the pain of growing up, and the loss of innocence. If you want to get a full essay, order it on our website: OrderCustomPaper.com

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